ThePolishdocofortheBFI’sCenturyofCinemadistinguishesitselffromalltheothersintheseriesbybeingtheonlyonenottohaveanyfilmcritics,academics,directors,etcprovidingacommentary. Insteadittakestherefreshingrouteofhavingordinarypeopleofallagestalkingaboutwhat’sspecialtothemaboutmovies–sowegetsomeoldfolksdescribingtheirfirsttriptothecinemawhenalotofpeopledidn’tevenknowwhatafilmwas,memoriesofwhatitwasliketogotothemoviesaschildren,teenagers,andadultsbefore,during,andafterWWII,andespeciallythekeyscenesfromfilmsthathavemadelastingimpressionsuponthem(notunexpectedly,Wajda’sKANALstrikesanerve),whichareshowninaccompaniment,sothatitbecomestheintervieweeswhoultimatelydecidewhat’sshowninthedoco. Thiskindofstuffiswhatthe‘100YearsofCinema’celebrationisreallyaboutddd